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Leeds City Office is housed in the same
building - 28-30 Park Row - as Leeds District Office, from where all
branches in the District are controlled and monitored. Leeds is one of the smaller districts
because many Yorkshire branches are in other districts. Nevertheless, City
Office is as big as its counterparts in Manchester and Newcastle. Nowadays trading as a five-star restaurant
and pub, somewhat confusingly, the building is known as Beckett’s Bank,
but this is purely in honour of a completely different local bank which in
1921 merged with the London County Westminster and Parr’s Bank. Until the splendid new building at
28-30 Park Row is complete and opened, Leeds City Office operates from a
number of offices at 14 Park row. When the move is made and business begins
on 7 March 1927, the Bank enjoys a full-page feature in the Yorkshire Post and
Leeds Intelligencer. Fascinatingly for
us, the many contractors who have worked on the building, or supplied and installed
internal fixtures and fittings are featured around the main “news” of the article. For ease of reading, we have re-produced
the bulk of the article further down this page… |
In Service: 7 March 1927 – 10 May 1985 Image © Martins Bank Archive
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By 1968, Martins Staff has under its
belt, a well-established tradition of acting, singing, dancing and generally
performing, with a number of operatic and dramatic societies based in around
the country For some, the roar of the
greasepaint and the smell of the crowd are all too addictive. Thus the progression from stage to screen
would seem desirable. The small screen will also be soon taken care of
with a television commercial for Martins Unicorn. The whereabouts of either
the film or the TV commercial would be very welcome, and if you can help,
please do get in touch with us: martinsbankarchive@btinternet.com. As for
starring on the big screen, it falls to the staff of the Foreign and
Securities Department of Leeds City
Office, to show what they are made of, and in this article in Martins Bank
Magazine from Winter 1968, we learn that film making is possibly NOT all it
is cracked up to be. As we are firmly in a cinematic mood, our ‘main feature’
is followed by two ‘shorts’, in which we look at the retirement celebrations
of Mr McGregor in 1961 and Mr Butterley in 1967…
promptly, at the appointed hour, a small army of technicians
entered the Bank. They bore what seemed to be sufficient electrical equipment
to stage a full-scale epic. Immediately they became busily engaged in the
erection of arc lights and the laying of cables in a variety of cunning
places. These cables were not the usual domestic type but of a dimension
which left the unwary in no doubt at all when they had tripped over one. To clarify some points over which we
were still in some doubt (a gross understatement) we approached a rather
loud-spoken, cigar-smoking gentleman who, by the number of orders he was
issuing to the arc-light brigade, seemed to be in charge. He was amazed that
we should consider him responsible for 'the scene', as he put it; no, we must
approach The Director. He didn't exactly bow from the waist as he uttered
these hallowed words but the message was clearly understood.
I’m ready
for my close up! The cast on set: At
the front desk, Jack Foster and Connie Hooper; rear desk, Martin Seeber and
Jack Corkill. At their typewriters are Maralyn Dalton (left)
and Pat Bell We therefore
approached a tall, well-dressed gentleman who in curt, crisp tones was
obtaining order out of chaos with the cable-laying beavers. He was equally
amazed that we should think that he was in overall authority and he bade us
wait the arrival of The Director, speaking in the same reverent tone as his
cigar-smoking colleague. A few minutes later a slightly-built man with
thinning hair entered the department and in a quiet unassuming voice informed
us that he was the director and had we any problems. So much for our judgment
of film unit personnel. There
followed an hour of intense activity on the part of the technicians during
which we smiled bravely at normally taciturn customers who suddenly blossomed
forth as comedians with witticisms such as 'Will you be on with Elsie Tanner
then?': 'You'll get a surprise if its Candid Camera': 'This raid looks better
organised than the Great Train Robbery'. Then we were
ready for 'lights' and on they came in quick succession. The immediate
impression was not of glare but of roasting heat, and the male cast soon became
envious of their lighter-clad girl colleagues. The director was apparently
immune to these conditions as he continued giving instructions to Maralyn
Dalton, our leading lady, while still wearing his overcoat. To obtain maximum
co-operation from the female cast the immediate use of Christian names seemed
desirable and the director used this form of address throughout the afternoon
without once making an error. Many dim faces could be
seen beyond the ring of lights which had turned the department, partitioned
off from the rest of the office, into a real stage set. After a further
half-hour of final adjustments the cigar-smoking gentleman—who proved to be the cameraman—announced from his
precarious position aloft that all was now in order. Maralyn, Pat Bell, and the supporting cast
received their final briefing from the director who had by this time become a
mere mortal by removing his overcoat. We were ready for action. The first take
was slightly delayed while our Mr Foster mopped his streaming brow. Then the
camera rolled. Pre-arranged telephone calls came through on time; even an
unexpected call fitted into the hard-at-work action of the department. Minor
alterations to furnishing were carried out by members of the now unemployed
army and further takes were made, but not before the now almost purple Jack
Foster had on each occasion mopped his brow at the request of the director.
In fairness to Mr Foster it must be stated that his carefully marked position
was in the centre of the scene and he was experiencing the full intensity of
every arc light. Suddenly the
lights were dimmed and it was all over. Amid the hubbub of congratulations
and leave-takings we learnt that the scene—which had taken two-and-a- quarter hours
to complete—would run for six seconds!
The cast were no longer in any doubt that film-making was a most expensive
business. They were also thankful that they were not living in a
cannibalistic country where bank clerks, cooked to a turn, are a delicacy. The Banking
Information Service describes Bankers
to the world as a film about overseas trade, its importance to the
economy and the essential service of the banks in helping to finance it. It is not designed to sell, nor is it to
induce manufacturers into the export field; it is informative and
educational, aimed at the grass roots of the community to promote better
appreciation of the raison d'etre for
overseas trade and of the banks' contribution. The film is not technical and
will bring out the work of ordinary bank branches as well as of overseas
departments. The intended audience includes senior schools, local clubs,
townswomen's guilds: pitched at sixth form level of intelligence the film is
presented in a lively, fast-moving way. Bankers to the world will be available early next year.
There was a large gathering at Leeds
City Office on November 30th, at which Mr. J. A. McGregor, Assistant District
Manager, was present, to mark the retirement of Mr. C. Robinson, who had
spent the last fifteen years of his service at the branch as Accountant. Mr. A. B. Hindmarsh, the
Manager, in thanking Mr. Robinson for the unfailing reliability of his work,
spoke of the high regard in which he was held by all his colleagues, and referred
particularly to the help and encouragement he had always given to the younger
members of the staff. Mr. E. Hinchcliffe
(Manager, Brighouse), added a tribute on behalf of the many former colleagues
who were present, and Mr. J. A. Bromley (Chief Cashier, Leeds City Office),
who had had the longest association with Mr. Robinson, presented him on
behalf of the subscribers with a photographic slide projector, and a box of
chocolates for Mrs. Robinson. In reply, Mr.
Robinson thanked the many people who had subscribed to the gifts, and stated
how happy he had been both in his service, and in the enjoyment of so many
friends within the Bank. Mr. Robinson
entered the Bank in 1916 at Castleford. He was transferred to Pontefract in
1923 and to Leeds City Office in 1932. In 1943 he joined the Inspection Staff
and in 1945 he was appointed Accountant at Leeds City Office. on July 31 Mr Butterley, Deputy Manager of
Leeds City Office since 1952, retired after 45 years'
service. His career began in the North Eastern District where he served in a
number of branches before moving to Leeds City Office in 1936 where he
remained with the exception of a short spell at Harrogate at the end of the
war. At a
cocktail party in the Griffin Hotel, Leeds, Mr and Mrs Butterley entertained
over 60 members of the staff and former colleagues including Mr P. H.
Christie, now 85 years of age, who was manager of Leeds City Office when Mr
Butterley came from the North Eastern District. Mr Oldroyd (Manager, Leeds City Office) welcomed the
guests and paid tribute to Mr Butterley's loyal service and sterling support
to himself and his two predecessors. Mr Lister then presented Mr Butterley
with a cheque from past and present colleagues and expressed the good wishes
of himself and the general management for the future. Miss Hooper presented
Mrs Butterley with a bouquet.
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