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WOMEN
AT MARTINS BANK – “FEMININE FAYRE”? |
Poorly paid, but still “one of the family”… Despite
women’s lib being in full swing when Martins merges with Barclays, there is
little evidence throughout the history of Martins Bank Magazine, that it, or
indeed the Bank ever sees women as much more than either not worth the
trouble and expense of career development at best, or, (and we are certain
that this happened at least innocently or perhaps unintentionally) as mere
“decorations” at worst… Indeed a
number of Martins colleagues have intimated that women are used in certain branches
to attract the business of wealthy male customers. As there is no direct
evidence of this, we are happy to simply cast a wry eye over the role of
Martins’ ladies, through items from the magazine across the decades. We say a
wry eye, because by today’s standards Martins’ efforts towards
equality of the sexes are very much of their time, but should not be
completely dismissed as either patronising or sexist, as they were not meant
this way. We cover some of the
employment inequalities of women in A CAREER WITH MARTINS BANK finding that at least what Martins’ women lacked in equal pay and
career opportunities, their employer tried hard to make up for in its overall
ethos of treating the whole staff as a family. In this respect Martins women probably
enjoyed more freedom at work than millions of women in other professions, and
from an earlier point in history – the use of women as bank managers during
the Second World War is pioneering in its own way. Martins Bank Magazine takes every opportunity to feature the ladies of
the bank in its pages, but often under titles such as “Counter Attraction”
(female cashiers) or “Accounting for Charm” (women who worked behind the
scenes). Although this would today be seen as exploitation, it does have its
willing participants, realising that fifteen minutes of fame ranks more
highly than the thought of men leering at them. We’ll take a look at Ladies
in Martins from the 1940s, right up to Autumn 1969 when Martins Bank Magazine
has, only less than one year earlier, finally decided to provide a page or
two “of interest to women”, under the somewhat dubious heading of “Feminine
Fayre”… |
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The 1940s |
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It is never the intention either of the Bank or the Magazine to belittle
or demean women. Indeed whenever the chance arises to highlight a woman’s
achievements, these are very well represented. As so many women stepped into the shoes of
their male counterparts during the war, their work was respected, and their
value appreciated. Achievements
outside the bank are always highly praised, as in the case of Miss Jean Lyle
(left) of Bexley Heath Branch, who in 1949 wins a tennis tournament staged by
a major London newspaper: “Miss Jean Lyle of Bexley Heath
branch recently distinguished herself in the world of tennis by winning, in
partnership with her sister, the Women's Doubles in the London " Evening
News " Tournament (for players who play their tennis in the clubs and
parks of London and a 25-mile radius, in the evenings and during the
week-end). The final was played at the Queens Club, London, and the sisters
won 3-6, 6-2, 6-4. Miss Lyle was also successful in reaching the final of the
Women's Singles, and though she lost 4-6, 6-3, 6-2, it was an excellent
effort, played as it was almost immediately after the doubles. Miss Lyle and
her sister now hold the " Evening News " Silver Challenge Cup for
one year, and in addition they each received a presentation tennis racquet
and a voucher to be expended on sports equipment. Miss Lyle received a
further racquet and a voucher for the singles event. Last year Miss Lyle
played for Kent v. Essex, and in September she played in the final of the
Kent County Club Tournament”. |
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The 1950s |
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We already know that being a woman in the bank means giving up your career
when you get married. The full force of this ridiculous waste of talent seems
to hit home (in today’s terms at least) in the following article from 1954,
which as you read it begins to sound more and more like an obituary. BETTY JACKSON On January 1st, 1948, a frail-looking girl joined
the staff of Editorial Department and began a most remarkable contribution
to the work of the Bank. Betty Jackson combined with a deep love of the arts,
especially literature, a keen interest in people, a compassionate and sympathetic
nature, a tremendous sense of fun, a passion for foreign travel, a knowledge
of several languages, and a loyalty and devotion which were beyond praise.
She was the ideal choice for a department whose especial concern is with the
social and cultural aspects of human relationships and which on the business
side demands creative ability. She
threw herself with enthusiasm into every new venture of the department,
whether helping to construct an Historical Tree, preparing a new brochure,
compiling the wealth of information needed for the construction of a new set
of advertisements, or helping to organise, conduct and act as hostess on a
foreign tour. Wherever she went she made friends and it is no exaggeration to
say that she transformed the job she was given into something no one ever
dreamed of and added immeasurably to the stature of the Magazine itself and
to the importance of the work we are trying to do. In view of these remarks,
therefore, it will come as no surprise to anyone to learn that she has now
forsaken her business career for marriage and on May 8th became the wife of
Mr. Anthony Reid, a very good friend of ours whom we hold in the highest
esteem. He too, is a banker and an
author, and we can rejoice that her future life will be spent in company with
one whose interests are identical with her own. We record our grateful thanks
for all she has given to the Bank and for all she has been to us in daily
association, and we wish Mr. and Mrs. Anthony Reid good health and great
happiness in their new life in Bournemouth. |
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The 1960s |
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Perhaps the 60s will be enlightened, or liberated? You might have noticed from the many images
of staff on our BRANCH NETWORK pages that Martins Bank Magazine features mainly pictures
of the male staff who have been promoted to management or equivalent
departmental roles. Occasionally, and
even then mostly in the last two years of the Bank’s existence, are women
featured in this way. Otherwise the
Magazine is faced with the problem of how to represent the many women in the
bank, and also of how to reflect their interests. Judge for yourself from the following
regular features which begin in 1963 and run on and off until the last issue
of the Magazine… x |
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Counter
Attraction |
1963
onwards |
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COUNTER ATTRACTION is a series of portraits of cashiers, but ONLY the
female ones. Attraction to some,
distraction to others, it is the kind of pageant that is willingly entered
into – after all, your friends and family, and your colleagues all over the
country will see your picture - but Counter Attraction bears an “innocence”
which is very much of its day… |
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Accounting
for Charm |
1966 |
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ACCOUNTING FOR CHARM features the backroom staff of the branches, but
again, only the female ones. The ladies who normally operate the statement
machines and deal with the clearing now have their own turn in the limelight,
but as with Counter Attraction the exact audience for this gallery can be
easily guessed… Imagine then what
thoughts must have gone through people’s head when in 1967, this next gallery
of “lovelies” made its debut: |
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Men in
Uniform |
1967 |
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“You can keep your hat on” as the song says, and as if to balance
things out, the men of the Martins Messenger Staff are out in force to give
the ladies, (and anyone else who wants to) something to look at! |
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Beryl Evans, the first Board Appointed Manager
in the Bank… |
1963 |
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1963 sees one of most justly rewarded promotions in the history of the
Bank- Beryl Evans is appointed by the Board to the role of Assistant Manager,
Editorial and Advertising Department.
What makes Beryl perfect for such a role? Click HERE to read our special feature on this remarkable woman… |
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Public
Relations |
1959
- 69 |
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Relatively few women progress beyond clerical or secretarial work in
Martins Bank. Looking at the available records, it is difficult before 1950
to find a married woman, let alone one with some degree of authority. From the mid fifties
onwards this begins to change, but not fast enough. It seems that men not
only hold high office, but are often the only ones encouraged to seek
it. It is also quite the norm for Martins to use smiling female staff to
appeal to male customers. Their pictures,as we have already seen, are
published in the staff magazine under headings such as ‘Counter
Attraction’ and ‘Accounting for
Charm’… One of the few exceptions is Leila Danbury who as press
liaison officer, attached to Messrs Osborn Peacock, is the official voice and
occasionally face of the bank when major announcements – concerning for
example the opening of new branches or the installation of computer equipment
- are made. In a final attempt to address any perceived male slant to its
coverage, Martins Bank Magazine takes the step of launching a women’s section
in 1968, and very psychedelic it is, too: |
Leila
Danbury is pictured here in 1959 in her role
as Press Officer at the opening of
the Leicester Drive-in Bank |
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Careers
for the “girls”… |
1966 |
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When it comes to recruitment, in 1966 Martins Bank refers to the two
main genders as “Men” and “Girls”. So what can a “girl” expect from a career
with Martins? “It's advantage to a girl to work with Martins. You'll have every
encouragement to progress and there are plenty of opportunities to achieve
responsible, worthwhile positions such as secretary, cashier, machine
supervisor or trust officer. Basic salary rises from £380 p.a. at 16 to £860
p.a. at 32 years of age, with merit increases added for above-average
performance. If you have 4 'O' Levels, or are proficient in shorthand and
typing, find out what a career with Martins Bank could offer you”. The job roles listed in this advertisement are the best a woman can
hope to achieve. A “Trust Officer” in the bank’s Trustee Department is the
only one of these jobs where a woman might achieve an appointed – that is to
say managerial - level job. Now then, what about those “men”? |
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“With Martins Bank, you could be a Manager in your 30s, a man of
standing in the community, whose advice is sought on every aspect of business
and financial matters. From there on, the highest management positions are
wide open if you have the ability and determination to achieve them. If you
have 4 ‘O’ Levels or 2 ‘A’ Levels, find out what a career with Martins Bank
could offer you. Write to the District General Manager, Martins Bank Limited,
4 Water Street, Liverpool 2” The glass ceiling becomes yet more apparent when salaries are
compared – everyone has the same starting salary, but within the first few
years with the Bank, the men are able to earn considerably more money.
Benefits for staff do not for the most part discriminate between the sexes,
although some archaic rules such as a man seeking permission to marry, and a
woman being forced to lose her job upon marriage last surprisingly into the
1960s. |
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At long
last – some (stereotypically) “Feminine” Fayre! |
1968 |
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“We have been
criticised for neglecting our many women readers: too little of the Magazine
is devoted to their interests. In an effort
to remedy the situation we conducted a little market research to discover
what might appeal, and the results are reflected in ‘Feminine Fayre’ on pages
34 and 35”… The first edition of Feminine Fayre sets out to include as many
topics of interest to women as can be fitted into two pages. On page 34, readers are treated to “A dish
for calorie counters” – Eggs Eugene for Four. Amongst the ingredients of this “low
calorie meal” are four large eggs, four slices of white bread and four ounces
of butter, not to mention a further two ounces of fatty bacon. Sadly the number of calories per serving is
not provided, perhaps this is because it might have taken up all of page 35…
This season’s sweater dress is featured, and the model wearing it certainly
strikes a jaunty pose. All that wool
seems worth getting hot and sweaty for, as the dress is available in stores
for the bargain price of 95 shillings.
(That’s £4.75) On page 35, women are reminded that flat heeled and
traditional walking shoes do NOT keep out the wet, and that it is better to
buy new “waterproof” shoes rather than using dubbin or leather oil, as this
will take away the polish: - |
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There is an interesting article on combining the cost of decorating
with a love of photography, by displaying portrait photos in your home. Tips are given for making an eye-catching
wall display, which could represent a gallery of your loved ones. Don’t just use a living room wall, why not
space photos out down a staircase, or suspend them between room divider poles
(?) or bookcases. The whole sixties
feel can be maintained by sticking unmounted images to plastic backing, and
your local photography studio will help you mount your favourites with ease!
Whether it’s style Angela (top) or style Deborah (right), you’ll need to know
how to avail yourself of “one versatile cut, one basic set” before stepping
out in this season’s sweater dress and heading for the discotheque. Angela’s halo of soft curls is flattering to ALL face shapes (just as
well, really) and yes you WILL need to back-comb. The secret of Deborah’s completely
different look is the careful use of a hair ornament. In all seriousness,
Feminine Fayre seems to have worked its socks off finding such a diverse bag
of topics from which to draw, but sadly, it lasts for only five issues. Who knows what dizzy heights this column
may have reached had Martins not been taken over? The later editions continue to feature hairstyles,
(one notably featuring models named
‘Candy’, ‘Marshmallow’ and ‘Lollipop’) and stories as diverse as: How’s your decorating? Collars are News, Boat Race Special,
Cool look for Spring, Knit one…, Jump into Summer, Double your Money, Did you
know…, Strike a Match, Nimble Fingers, Attracting Interest, Cook’s special
from the North and The misadventures of Miss Poorlyfoot. It appears that the
ladies in Martins really do have fun, after all… M |
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