Martins Bank Players (North
Eastern) in Goodnight, Mrs Puffin by Arthur Lovegrove
Staged: 15 to 17 February1968 at
The Little Theatre Gateshead
At this point we
must say goodbye to Martins Bank Players North Eastern, who have entertained
countless audiences at the Little Theatre in Gateshead with a total of TWENTY-TWO performances since their
inception in 1936. As well as being
the final performance of the group, it is also beset with problems, which
Martins Bank Magazine seems to attribute to the decision to stage it being
made on Friday the Thirteenth!
Fortunately, the
Players are rewarded with full-houses on each of the three nights that the
play is staged, and it appears that everything went really well, much to the
delight of the company AND
its audience. Of
all the shows and entertainments put on by the various Martins Bank acting
and singing groups, “Goodnight Mrs Puffin is alone in having not one single
production photograph published with its review in Martins Bank Magazine.
This presented us with a problem, as the action of the play cannot usually be
conveyed by words alone. The solution we settle upon, until photographs are
found, is to show individual images of some of the actors, taken from their
staff records, or previous performances…
The ill-luck which dogged Goodnight, Mrs Puffin
by Arthur Lovegrove from the time of the original decision on the production—made on a Friday
the thirteenth—was absent from the Little Theatre, Gateshead on February 15, 16 and 17. The
intention was to put on the play in November, but illness overtook producer
Colin Shuttleworth and they had to enlist the experienced aid of Ken
McGinn, a non-bank man who had never heard of December balances and was
amazed to find his cast unable to turn up at rehearsals because of the
four-letter word work. However, all difficulties were eventually overcome
and the company were rewarded by full houses on each of the three
nights—pleasure deferred is keenest?
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Michael Blaylock
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The enthusiastic audiences were treated to a
most enjoyable entertainment, lots of laughs and a happy ending to send
them out into the snow with a warm glow. The play opened with Ethel
Fordyce, played by Margaret Crump, soliloquising over wedding invitations
with exactly the tone and expressions one could imagine oneself using in
similar circumstances. In came her two daughters Jacky and Pamela, played
by Virginia Lee and Patricia Brown with charm and grace, followed by their
brother the irrepressible Nicholas. This part was taken by Anthony Knight,
a born comedian, who can raise a laugh with one eyebrow.
COCKNEY PREDICTIONS
When Jacqueline Buglass, as the maid, brought
in Mrs Puffin we met the central character of the play and in this role
Nora Wilkie was superb. A loud, bouncy Cockney with cheeky wit, Nora might
have lived within the sound of Bow bells all her life. Her very appearance
spoke of Clapham (Junction, not Common) and from whatever under-the-stairs
recesses that battered old green hat came, property mistress Gwen Surtees
had ransacked to good effect. Mrs Puffin announced that she had come to
warn the Fordyces not to waste money on the wedding as it would never take
place. She had dreamed of the family and of her meeting with them and was
able to tell them with uncanny detail exactly what would take place next,
even to the entry of Henry Fordyce rubbing his hands and saying ‘Well,
well, well! Seasonable weather we're having’. Enter Alf Grummett on cue,
rubbing his hands... Later, with a remarkably accurate kick when crossing
his legs, he demolished one of his wife's best cups and the whole tea
service ended in fragments on the floor as Mrs Puffin had predicted, from
which disaster poor Mrs Fordyce never fully recovered.
HYSTERICS?
By this time Nick was a confirmed Puffin fan,
even consulting her when his mother threatened to go into hysterics. Upon
hearing that hysterics were not scheduled he relaxed, and indeed the
smelling salts were not needed. Jacky was also in favour of learning more
of the dream, and of telling her fiancé Victor Parker, a steady, reliable
and serious young man played by Malcolm Binns. But Henry, counting on a
business partnership with Victor's father on the strength of the wedding,
wouldn't hear of it. And no wonder. When we met Parker senior, a red-faced,
bristly-moustached, irascible gentleman, we could understand why. This part
was admirably taken by Michael Blaylock, who resisted any temptation to
over-play what could have been a ‘hammy’ part.
'SWEP ORF 'ER FEET’
The last member of the cast to make his
appearance was Gordon Steadman as Roger, an American friend of the Parkers.
His appearance fulfilled Mrs Puffin’s prediction that Jacky would be ‘swep
orf er feet’ by someone from over water whom she couldn't see very clearly.
The curtain came down as she shrieked dramatically ‘My Gawd, it’s ‘im!’
with the Wedding March playing as Jacky and Roger moved towards each other.
That sensible fellow Victor, whose horn rims were quite the best-polished
in the business, was able, with the connivance of Mrs Puffin, to bring
about a satisfactory conclusion by transferring his affections to an
already enamoured sister Pamela, thus ensuring that the business as well as
the nuptial bonds between the two families would not be broken. Ayleen Read
as prompter had a silent time, but stage manager Jim Lindsay and his
assistant Derek Bates were obviously on their toes to make sure that
everything went off without a hitch. The frequent laughs interrupting the
dialogue, plus the loud and prolonged applause, were proof that the
audience appreciated the hard work and talent that went into three very
enjoyable evenings.
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Margaret Crump
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Patricia Brown
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Ayleen Read
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Malcolm Binns
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Alf Grummett
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M
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