Martins Bank
Society of the Arts (Music Section) in Merrie England by Edward German
Staged:
4th December 1946 at the Crane Theatre Liverpool
War is over, and the return to
normal life cannot come too soon for the budding actors singers and dancers
amongst the staff of Martins Bank. The
Society of the Arts follows in the footsteps of previous groups within the
Bank and its constituents. So in 1946
the Music Section of Society of the Arts reprises one of the most loved
productions of the former Bank of Liverpool and Martins Operatic Society, by
staging “Merrie England”.
On this occasion, the Society of
the Arts is presenting the concert
version of Merrie England, and the musicians and singers are together on
stage at Liverpool’s Crane Theatre. In 1950 a full performance of this work
with characters in costume will be performed.
At this early stage in the life of the Society of the Arts, Martins
Bank Magazine does cover the three separate key activities - music, drama and
art – however, it gives only a small amount of space to each. Nevertheless, we do have the following piece
from 1946 which provides the first written critiques of the Music Section’s
performance of Merrie England, and this marks the beginning of what will
become Martins Bank Operatic Society – an award-winning collaboration between
talented members of the Bank’s Staff that will last until 1980…
The
presentation of the concert version of “Merrie England” (Edward German), at
the Crane Theatre, on December 4th, 1946, represented the most ambitious
venture yet undertaken by the Music Section. With a chorus numbering 46,
supported by an orchestra of 18 players, almost the entire talent of the
Section was assembled for the production, and members of the staff and
their families showed their appreciation by attending in force, every seat
being sold. As regards the performance itself, Miss Margaret Groome was
outstandingly good. It is interesting to note that she has now resigned
from the bank in order to be able to devote more time to her singing. We wish her every success, which we feel
she will attain with such a fine voice. Miss W. A. Weston gave a fine
rendering of the ballad “She had a letter from her love” ; and Miss E. Koop
displayed her usual talent in her song “O peaceful England”. As Spencer Hayes sang “The English Rose”,
the minds of some of the older ones among us were carried back to those
far-off days a quarter of a century ago, when the old Bank of Liverpool and
Martins Operatic Society first produced “Merrie England” and other operas.
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The
whole company (no individual names provided)
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Five of the original members of the old
society were there. Miss E. M. Williams sang in the quintet, in one of the
songs and in the finale to Part I. Mrs. Percy Jones (Mary Foster) sang in
the quintet and also in the chorus. Spencer Hayes also sang in two of the
other songs and a duet, and acted as chorus master. R. C. Eastwood sang in
the chorus, and W. T. Wills played the 'cello. All except Mrs. Percy Jones
were in the original cast of “Merrie England” when it was first performed
by the Society. Evan Jones and Miss Delia Davies in their solos and also in
their duet were wholly delightful. Mr. H. F. R. Boothman accompanied at the
piano, and it is appropriate at this point to express our thanks to Mr.
Percy Jones, our original accompanist years ago, who accompanied at many of
the rehearsals and stood down in favour of a member of the staff on the
night of the performance. R. F. Whitaker sang “The Yeomen of England” with
Spencer Hayes, and also took pait in one of the quartets and a quintet. E.
W. Gittins sang in a quartet, a quintet and in one of the songs. The duet
" Come to Arcadie " by Miss P. M. Ritchie and A. Pope was nicely
rendered, and the quartet " The sun in the heaven is high " was
sung by A. Pope, L. C. Jones, R. C. Webster and H. F. L. Venn. Our
conductor, F. M. Cruickshank, is to be congratulated on a very praiseworthy
show.
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