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THE ARGOSY PLAYERS - LIVERPOOL

The Argosy Players in: For better, For Worse by Arthur Watkyn

Staged: 12 to 14 December 1957 at Crane theatre Hanover Street Liverpool

A year or two before “kitchen sink drama” becomes a staple of mid-week and weekend television, the Argosy Players tackle the story of newly-weds in what is actually a comedy – “For Better, for Worse” by Arthur Watkyn. Perhaps the only “kitchen sink” reference here is likely to involve the plumber, whose portayal by Argosy veteran Bill Brookes is described as “one of the best bits of characterisation he has given us”. 

Martins Bank Magazine is as usual in the front row with a sharpened pencil to bring us all the action, as our group performs once more at Liverpool’s Crane Theatre, providing live action entertainment to an audience increasingly influenced by the choices of two television channels – easier and cheaper perhaps than going out to the theatre on a cold winter’s night?  Goodness me, we hope not…

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The choice of the Argosy Players for their winter show this year was Arthur Watkyn’s comedy “For Better for Worse”, the theme of which is the early trials of a newly-married couple. The play was produced for three nights, December 12th, 13th and 14th, at Crane Theatre, Liverpool. The Argosy Players is the only one of the three Bank amateur dramatic societies which managed to stage a play last autumn, the Cicala Players and the North Eastern Players having met with insuperable casting difficulties. The Argosy Players have had their troubles, too, but of a different nature, and we are extremely grateful to Sidney Costin, who came to our rescue and produced the play for us and to William Cussons, who took one of the parts which the Players were unable to fill. A great deal of talent was evident throughout this lively play of domestic situations and there were a number of gems of individual acting, especially in the smaller parts. Bill Brookes's portrayal of a plumber was one of the best bits of characterisation he has given us, and Jean Boothman's talkative char, both from the point of view of make-up and acting was excellent. The two furniture removers, played by Ken Maddison and Alan Mills, hardly needed their lines (and those were funny enough) to provoke mirth. Each time they departed to go and bring in another piece of furniture the little procession of two, with Alan as the furniture remover's mate bringing up the rear, caused a ripple of mirth to spread through the theatre.

In the same line of business, Norman Leach as the furniture man treated the part so seriously that the resulting portrayal was almost startlingly realistic, and one never thought of him as just a bank manager playing in amateur theatricals. It is some time since we have seen Shelagh Cowan and we were quite unprepared for the mature performance she gave us as the elderly spinster. It was quite the best performance we have seen her give. Of the major parts. Valeric Tilley played that of the newly-married girl. We understand that it was her first major part and she is, therefore, all the more to be complimented on the natural and charming performance she gave. She looked lovely, she was dressed beautifully and she brought to the part all the grace and freshness of a girl in love. Marshall Hesketh played opposite to her. He is now an amateur of some experience and can be relied on to get the best out of a part such as this. With the inspiration of Valerie to help him it is not surprising that we have to give him full marks for his performance. The parts of the father and mother of the young girl were played by Brian Isaacson and Ann Smellie. In each case, make-up and dress were excellent. As regards portrayal, so far as Brian was concerned, he gave us one of the best performances we have seen him put over. It was Ann's first appearance with the Players for some time as she has been serving in the Midland District. She managed this somewhat mature part quite well, though perhaps a trifle too philosophically even for a doting mother.

The parts of the couple living in the flat above were played by William Cussons and Valerie Barrett. William Cussons’ portrayal of the estate agent was so good that his subsequent admission to being just an ordinary clerk, hard up and facing an ejection order, did not seem quite in character. Valerie, too, had some difficulty in being convincing. First of all she had to figure as the objectionable neighbour and later on as her usual sweet self. The sudden change was very hard to put over and neither she nor Mr. Cussons seemed fully at case in the last part of the play. In these days of competition with television the amateurs are on their mettle and audiences are not so easy to attract. It is gratifying to note therefore that although sales of tickets could have been better, the financial position of the Players is at least solvent.

IMAGES: (Top Right) - Ann Smellie, Norman Leach, Brian Isaacson, Marshall Hesketh and Valerie Tilley.

(Above Left) - Alan Mills and Ken Maddison. (Above Right) - Jean Boothman and Bill Brookes.

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