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The Cicala Players in: Lady be Careful by Stafford Dickens

Staged: - 30 November and 1 December1965 at Cripplegate Theatre Golden Lane London

Reader beware, as the the first few sentences of Martins Bank Magazine’s review of “Lady be Careful” are a blistering attack on members of staff who either stayed at home to watch TV, or purchased a ticket and then did not bother to turn up at the theatre rather than come out to the theatre to support the Cicala Players! In 1965, much of Martins Bank’s accounting procedures are still manual, and as they play was staged over the month end November into December, there will have been some branches at which the work did not balance first time, and whose members of staff will have been stuck at their desks and behind their counter positions long after 5pm. It does seem a little unfair to criticise them for then missing the play, or feeling so tired they just wanted to go home and put their feet up!  Despite everything so far mentioned, there was still a fair turnout of paying audience members, and the requisite number of staff to be able to stage the play…

‘Mikes yer sick, dunnit? Work yer blinkin' 'eart out, annen wot? Nuffink! Ah'm all right Jack, 'n the best o’ British to you!’ Those bitter words of a former batman came to mind as the curtain rose at the Cripplegate Theatre to show Captain Nick Bates (Peter Henty) arriving on leave at his flat and. with anticipatory eyebrows aflap, phoning his girl friend. The stage, the setting and the theatre were excellent. The attendance of 60 was about the same as on the previous night. Of course it was the first of December, so the night before had been the month end. hadn't it? And everyone knows what that can mean in banking—a wonderful get out. One can even pay for a ticket and not use it. That shows willing, doesn't it? Then one can nip off home and get stuck into all that tripe on the telly, can't one? After all one did finish late, didn’t one? It was a good reason/excuse, wasn't it?

Change partners ? Gill Mann and Peter Henty dance

while husband (John Collins) and fiancée (Joan Burd) look pensive

But enough of that!  Six playing members, a producer, and at least a dozen others from stage manager to helper managed, along with about 120 people, to get away from their offices in time to enjoy the Cicala Players’ production of Lady—be careful, a farcical comedy by Stafford Dickens,  produced with customary flair by Renee Forder.

All the ingredients for happy nonsense were provided—the charmer already installed in the flat (Gill Mann) whose husband's failure to appreciate her has led her to tell him she is having an affair with the Captain (most embarrassing the fellow showing up, but how else to create a situation?) Gill Mann made a grand job of a difficult role despite the flinty antipathy of Joan Burd as the fiancée who, though she got her man in the end, would make quite certain that he conducted himself thereafter as an officer and a gentleman.

A woman feeling she is not appreciated by a husband who agrees with everything she says, makes friends with the alleged boy friend, and promptly approves the idea of divorce as the pair seem so well suited, would really be up against things in real life, never mind in a stage farce.

Gill Mann coped convincingly and this seemed a pity, for her professor husband (John Collins) was such a patently nice chap. and no fool as it later transpired. Peter Henty had the hardest and longest role. He tackled it happily and deceived nobody, not even his admirable foil, Parker, the general factotum for the flats. With panache and gusto George Kent squeezed every ounce from a fruity, earthy role. The character who almost stole the show was the seedy private detective (Clive Willis), leching at every door, carefully documenting the 'guilty party', and deftly scoffing the whisky.

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The plot? Oh yes. there was one (and that's a pleasant change!) and everything came right in the end. But the highlight came in the few minutes in the second act when it really looked as if the players were making a farce of a farce. The audience was convulsed. Unfortunately this was followed by some overtime by the prompter. Pity so few were there to see it, innit? But they enjoyed themselves, dinnay? Perhaps more would have come if the tickets had been marked NEW! 3d OFF!!!' That really fetches ‘em these days! Mikes yer sick, dunnit?

Clive Willis helps himself, watched by an admiring George Kent

 

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